MERRY CHRISTMAS!

To everyone, and to all a good day.

 

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Sometimes a trail…

…leads somewhere

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Sometimes tracks lead somewhere too…

 

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Cannibals in Love, The Mothers, and more: 17 book designers pick the best covers of 2016.

The 60 Best Book Covers of 2016, As Chosen By Designers
Today in “2016 was garbage but at least we had good ____,” we bring you: book covers. Because it’s true: this year, we had a healthy quantity of beautiful,…
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A kind of Kafka steeped in LSD and rage (Roberto Bolaño on Philip K. Dick)

Well and but of course because I love them all (ok some) as in specifically Bolano & Dick. And then DeLillo.

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Roberto Bolaño on Philip K. Dick. from New Directions’ collection of Bolaño’s newspaper columns, forewords, and other ephemera Between Parentheses)—

Dick was a schizophrenic. Dick was a paranoiac. Dick is one of the ten best American writers of the 20th century, which is saying a lot. Dick was a kind of Kafka steeped in LSD and rage. Dick talks to us, in The Man in the High Castle, in what would become his trademark way, about how mutable reality can be and therefore how mutable history can be. Dick is Thoreau plus the death of the American dream. Dick writes, at times, like a prisoner, because ethically and aesthetically he really is a prisoner. Dick is the one who, in Ubik, comes closest to capturing the human consciousness or fragments of consciousness in the context of their setting; the correspondence between what he tells and the structure of what’s told…

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The Infinite Light

The great E.F. Schumacher captured this strange dynamic in the concept of adaequatio — the notion that “the understanding of the knower must be adequate to the thing to be known.” But how do we face our inadequacy with grace and negotiate wisely this eternal tension between the known, the unknown, the knowable, and the unknowable?