What Of Time

goodread

Posted by GoodReads

This house seems as if it’s made to reflect a previous century—18th? 19th? Note the slate floors, the many rugs of colors and design. The books gone beyond the library and into the sitting room. See the book on the book stand there? Music or Art, one in any case.

And we wonder what our ancestors (without the information) would make of today’s date—the ECLIPSE. The end of the world? And I must go now and ready myself for that very thing. Will the animals go silent? Will the music close off? What world, what century, what time does this touch?

Flawed?

thinkingminds

Posted by Thinking Minds

What a wonderful attitude. And it is true of those things in our lives we choose to make into works of art, those things that are crooked, or peeled or lopsided. And so also of people and relationships. Why not?

And Then…

As I thought, and as I am so predictable:

quantWorldAwake

Quantum World: Awaken Your Mind

But then it was a rather enjoyable venture as I didn’t have any pressure on myself. You know, meeting expectations and all that! Which makes the contemplation of GUILT inevitable also, doesn’t it?

Of late thoughts turn to—why do we have guilt? What purpose that? For myself the origin is pre-Catholic as I recall being a tiny child and feeling guilty about something, not wanting to tell my mother. OK, so origin is with parents. And of course there are those childhood pals who gasp in horror or encouragement while clearly specifying the wrongness of something. (Society.) Then, for those of us with religious strictures, there is the Catholicism of life. Little chance then, to manage as an adult without the burden—very heavy burden—of a huge guilt container forever lurking in the back, or very foundation even, of the Mind. It seems to me that after a certain point, Guilt is no longer needed or required to direct a life. Direction is no longer needed. So why the very potential of something Wrong awakes the Monster Guilt, perched in waiting, is beyond me.

No, we don’t need Guilt to keep us on the path of Good when there are choices. No, we don’t need Religion in order to be moral beings.

And then and also, don’t we have something inside that slams the door on Guilt and guides us beyond those limits? That something that fires up Curiosity and Approval when we absolutely know that the Rules, Laws, Controls, are just plain Wrong?

Of course. Copernicus, Galileo, and me.

Again With the Books

Djuna Barnes (1892-1982)

Nightwood, Barnes’ best novel, has the distinction of being the only lesbian-themed Modernist gem to garner praise, and an introduction, from arch-conservative T.S. Eliot. Before writing it, Barnes was born in a log cabin, raped as a teen, and lived as a Bohemian journalist in Greenwich Village. She was ahead of her time in just about every way possible, even pioneering the kind of New Journalism that wouldn’t catch fire until mid-century. A poet, novelist, playwright, and illustrator, Barnes exemplified both the glory and isolation that come with being a perpetual outsider. Hemingway wouldn’t have known what to make of her.

Book$iot
Posted by Book Riot

This from Book Riot’piece on “Five Women Writers Tougher Than Hemingway,” which is why the ending sentence is a reference to Hem.

And I went to get my copy of Nightwood so I could snap a photo of said book, the one we are chatting about here. I could not find it. This will—no doubt, no doubt at all—lead to the great Rabbit Hole Adventure of August 16. I’ll look for the book, have to rearrange some bookshelves (technically the books on the bookshelves), then stop to play on the keyboard, then maybe…

And so of the day, to make much of the lovely Djuna. And there is so much more to say about her. But I must go look for the book.

Happy Birthday!

To Oscar Peterson—what a person and musician! Peterson

is credited with giving birth to modern Jazz.

He, along with Bird Parker and many other Jazz Greats, often played for Jazz at the Philharmonic, JATP. Their records did a lot to publicize and further instill Jazz as an up and coming musical form. That is, beyond those places and states where it seems the music of jazz was a way of life, born before records themselves. That was mainly in the south, and then New York, Detroit, and Chicago.

Luckily, I managed to hang on to the JATP among my collection, and I still have them. Of course occasions such as this prompt me to play some of that music! And jazz, it seems for many of us, must be played loudly.